PAINT

Grumbacher Goldenedge Brushes for watercolor feature specially developed, resilient synthetic bristles that provide strength, durability and a comparable spring. Each brush is hand-cupped and set in nickel ferrules while the hairs are a golden sable...

Gainsborough brushes are durable, long-handled paint brushes for oil and acrylic. Made with pure white hog bristles, they feature natural flagged tips and an interlocked construction preserving the bristles’ natural curve with seamless nickel...

Retouch Varnish is a clear varnish that leaves an oil painting workable and protected from dirt, moisture and scuffing. This product is ideal for a work that needs to be quickly sealed and protected but is not yet completed. The artist can return to the...

Cobalt Drier is the most recommended additive for accelerating the drying time of a fine art oil painting. It will speed up the drying of both oil paints and painting mediums. Only small drops of this product are to be mixed into a painting medium to...

Damar Varnish works as a final protective coating on oil paintings. As a colorless final varnish it brings out the beauty of colors while protecting the painting from dirt, moisture and scuffing. It will not “bloom" or cloud with age. Preserve...

Slowdry Oil Medium improves flow while slowing an oil color's drying time. This medium will produce a high gloss finish and is a great match for wet-in-wet painting techniques. As with Matte Medium, simply add this medium to paints in small amounts to...

Turpentine is a strong solvent designed for cleaning brushes and thinning oil paints and varnishes. As a traditional thinning medium, it increases paint flow, quickly dissolves wet paint and evaporates. Available in an 8 oz jar.

The Grumbacher Color Computer is mixing guide with one side displaying shades, tints and primary mixes, while the reverse side displays complementary and analogous harmonies. The color key shows pure color, tints, low intensities, triadic, split and...

Poppyseed Oil is a slow-drying medium for oil paints that has excellent color retention. It improves flow but, unlike Linseed Oil, it has no yellow tint that risks being visible through certain thinned paints. This medium is ideal for the artist...

Stand Oil is a heavy-bodied purified linseed oil that is ideal for glazing and popular for its hard, enamel-like dried surface. This oil medium is slow-drying, smooth and when mixed with a solvent it is great for fine detail work.  It resists...

Matte Varnish is the perfect varnish for protecting a finished work and achieving a uniformly matte surface. This varnish will dry clear and transparent making it ideal for artists wanting a sealed and shielded surface but without any glossy, visible...